Chinese Celadon Famille Rose 10-inch Plate, Canton, Qing Dynasty, ca. 1850

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Chinese Export Porcelain Celadon Famille Rose 10-inch plate, Cantonese, Qing Dynasty, ca. 1850, profusely decorated in polychrome enamels depicting pheasants, butterflies, fruit, and florals on a blue-green celadon ground, the reverse with underglaze blue seal.

Made in Jingdezhen for export to the West from ca. 1840 to 1890, celadon wares may not have been a decorative choice so much as a necessity. Nadler states:

"Probably the use of celadon was contemporaneous with the Taiping Revolt. According to this hypothesis, celadon was used as a substitute for white blanks which were no longer available, for the Taipings had demolished Jingdezhen's kilns."*

* Daniel Nadler, CHINA TO ORDER: Focusing on the XIXth Century and Surveying Polychrome Export Porcelain of the Qing Dynasty (1644-1908). Paris: Vilo International, 2001, Digital Reprint with the assistance of the Winterthur Museum, 2012, p. 154.

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Chinese Export Porcelain Celadon Famille Rose 10-inch plate, Cantonese, Qing Dynasty, ca. 1850, profusely decorated in polychrome enamels depicting pheasants, butterflies, fruit, and florals on a blue-green celadon ground, the reverse with underglaze blue seal.

Made in Jingdezhen for export to the West from ca. 1840 to 1890, celadon wares may not have been a decorative choice so much as a necessity. Nadler states:

"Probably the use of celadon was contemporaneous with the Taiping Revolt. According to this hypothesis, celadon was used as a substitute for white blanks which were no longer available, for the Taipings had demolished Jingdezhen's kilns."*

* Daniel Nadler, CHINA TO ORDER: Focusing on the XIXth Century and Surveying Polychrome Export Porcelain of the Qing Dynasty (1644-1908). Paris: Vilo International, 2001, Digital Reprint with the assistance of the Winterthur Museum, 2012, p. 154.

Chinese Export Porcelain Celadon Famille Rose 10-inch plate, Cantonese, Qing Dynasty, ca. 1850, profusely decorated in polychrome enamels depicting pheasants, butterflies, fruit, and florals on a blue-green celadon ground, the reverse with underglaze blue seal.

Made in Jingdezhen for export to the West from ca. 1840 to 1890, celadon wares may not have been a decorative choice so much as a necessity. Nadler states:

"Probably the use of celadon was contemporaneous with the Taiping Revolt. According to this hypothesis, celadon was used as a substitute for white blanks which were no longer available, for the Taipings had demolished Jingdezhen's kilns."*

* Daniel Nadler, CHINA TO ORDER: Focusing on the XIXth Century and Surveying Polychrome Export Porcelain of the Qing Dynasty (1644-1908). Paris: Vilo International, 2001, Digital Reprint with the assistance of the Winterthur Museum, 2012, p. 154.

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