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A George Jones Majolica Game Tureen, the base with relief molded rabbits among ferns and grasses on both sides, with oak leaves, acorns, and ivy encircling all around the mossy branch lip, with two bound mossy branch handles, the lid formed as a nesting quail and her seven chicks, one tucked under her wing, the reverse with impressed marks: 'GJ' monogram, British Registry Mark for 27 December 1873, and painted
design number '3371' to the thumbprint reserve, which corresponds to the entry, 'Hare Game Pie Dish Hen & Chicks,' as found in the George Jones Majolica Pattern Books preserved in the Wedgwood Archives, Victoria & Albert Museum and included in Bergesen.
PROVENANCE:
Sotheby’s New York, ENGLISH MAJOLICA FROM A PRIVATE COLLECTION. New York: Sotheby’s, March 11, 1997, sale number 6958; Lot number 380.
LITERATURE:
Victoria Bergesen, MAJOLICA: British, Continental, and American Wares. London: Barrie & Jenkins, 1989, pp. 201 (George Jones Majolica Pattern Numbers, pp. 201-205.
Robert E. Cluett, GEORGE JONES CERAMICS: 1861 - 1951. Atglen, PA: Schiffer Publishing, 1998, p.55, Figure 81. Marilyn G. Karmason and Joan B. Stacke, MAJOLICA, A Complete History
and Illustrated Survey. New York: Harry N. Abrams Publishers, Second Edition, 2002, p. 100 and front cover.
Susan Weber et al., MAJOLICA MANIA: Transatlantic Pottery in England and the United States 1850--1915. New Haven and London: Yale University Press, 2020, Vol. II, p. 248, FIG. 18. 24.
Dimensions: 8.13’’ (H) x 14.13’’ (W) x 9.25’’ (D)
Late 19th Century Bamboo Bookcase with Rattan Top & Shelves, English, ca. 1880. The art of using bamboo in furniture making originated in China, dating as far back as the early 1600s, and would later heavily influence the English market through methods of trade. During the Victorian era, a resurgence of bamboo was seen throughout prominent estates such as the Brighton Pavilion, creating public demand for these unique handmade pieces. Additionally, the boom of the Industrial Revolution in late 19th century England is considered the most popular era of this style of furniture making, with many pieces still available from the period.
This bookcase was handcrafted in England and consists of a tortoiseshell-lacquered bamboo frame with rattan side panels, top, and three open shelves. The interior of the shelving is lined with a thick, hand “tile”-embossed paper material, with the top and side panels made from a tightly woven natural rattan that is also lacquered to ensure longevity of use. This transitional piece can be used in any living space, with its lightweight structure and timeless design making it a seamless addition to both modern and traditional interiors.
Condition: Rattan top shows natural patina consistent with age. Light wear to interior of shelving (pictured within).
Dimensions: 32” (L) x 14” (W) x 40” (H)
Art Deco Burl Walnut “Talent Series” Sideboard, Stamped F.H. Marshall & Co., English, ca. 1930. This piece is an exceptional example of Scottish craftsmanship and was handcrafted by F.H. Marshall & Company, one of Scotland’s most respected cabinetmaking firms of the early 20th century. Specifically, this sideboard originated from their celebrated "Talent Series," a line dedicated to high-quality materials, refined design, and meticulous hand workmanship during the height of the Art Deco movement. This piece is exquisitely veneered in a richly figured burl walnut, with a beautiful bookmatched top over four graduated drawers and flanked on either side by two matching paneled doors. Cabinet and drawers open to ample interior space, with makers mark and signature to interior of cabinet door. In great condition, with signs of wear consistent with age and use.
Dimensions: 54” (L) x 18” (W) x 34” (H)
Early 19th Century Georgian Hand-Carved Mahogany Tilt-Top Supper Table, English, ca. 1820, with a molded and carved top, on a tripod base with bird cage support, on cabriole legs. Crafted from a single board.
Dimensions: 28” (L) x 28” (W) x 29” (H)
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